Ngưxoi Mỹ trsam lqang =

Graham Greene served with MI6 during World War II and traveled the world extensively both before and after. His experiences really come across in this novel, where the narrator can zero in about the small details of a locale that make it special, as well as provide some insights into life in war zones that only someone with legitimate been-there-done-that experience would have.

While the plot itself centers around a love triangle between a journalist, a Vietnamese woman, and an American operative, that almost seemed like background noise to me. What made the book special was the first person narration - a voice that was reflecting on life in general, life in Vietnam, war, intrigue and numerous other details with an authenticity that can't be fabricated.

Beautifully written and filled with realities of conflict (internal, interpersonal, and between opposing forces) that continue to resonate.

Vietnam, 1950s. Pyle is the quiet American, young, idealist, determined to bring democracy to Vietnam. Fowler is the disillusioned, cynical British reporter. Phuong is the Vietnamese woman they both want. As a novel, it is impeccable. It also offers an insightful, complex commentary on that war, and many other wars too. The portrayal of Phuong (as a flower, a victim, a child, a servant woman), the frequent use of sexual imagery to talk about the colonies and their inhabitants are very disturbing. Even if Greene seems to be aware of it, i.e. aware that everyone is making up their own Phuong to fit their story. Does it make it OK?